đ” 1950s First Dance & Timeless Love Songs
From Crooners to Doo-Wop: 46 Tracks That Defined Modern Romance
Welcome to a new 1950s Wedding series:
First Dance & Timeless Love Songs (This issue)
Rat Pack & Classic Crooners
Doo-Wop & Vocal Harmony
Rock & Roll Classics
Dance Floor Hits
Country & Americana
Fun & Novelty
The 1950s were the era when the big band era transitioned into the age of the âCroonerâ and the âGroup Soundâ. It was a decade of massive crossovers (where a single track like âAll I Have To Do Is Dreamâ could dominate the Pop, R&B, and Country charts simultaneously). These songs didnât just top the charts. They defined the âGolden Ageâ of melody.
Whether itâs the soulful grit of Ray Charles, the âclose harmonyâ perfection of The Everly Brothers, or the timeless elegance of Nat King Cole, the 1950s offered a level of romantic sincerity that still carries for wedding professionals today.
Table of Contents
First Dance & Timeless Love Songs - 46 songs
Spotify Playlist
First Dance & Timeless Love Songs
Al Hibbler - Unchained Melody
1955 - In 1955, âUnchained Melodyâ was so popular that three different versions hit the US Top 10 at the same time: Al Hibbler, Les Baxter (an instrumental), and Roy Hamilton. Hibblerâs soulful vocal reached #3 on the Billboard Pop chart and #1 on the R&B chart.
Bobby Darin - Dream Lover
1959 - Darin wrote âDream Loverâ himself. It hit #2 on the Billboard Hot 100, #4 on the R&B charts, and #1 in the UK. Backup vocals feature Darlene Love of the Blossoms. The song also features Neil Sedaka on piano.
Bobby Helms - My Special Angel
1957 - Bobby Helms is often remembered most for âJingle Bell Rockâ. This track was actually his biggest career hit on the pop charts. It hit #1 on the Country chart, #7 on the Billboard Top 100, and even broke into the R&B Top 10. Helms was inducted into the Rockabilly Hall of Fame.
Brook Benton - Itâs Just A Matter Of Time
1959 - The song peaked at #3 on the Billboard Hot 100. However, it stayed at #1 for nine consecutive weeks on the R&B charts. It is one of the few songs to hit #1 on the Country charts across three different decades by three different artists: Sonny James - 1970, Glen Campbell - 1985, Randy Travis - 1989.
Buddy Holly - Everyday
1957 - âEverydayâ was originally released as the B-side to the hit âPeggy Sueâ. âEverydayâ is included on Rolling Stoneâs list of the 500 Greatest Songs of All Time. It appeared in the film Stand By Me, the film Big Fish, and in the trailers for the TV series Lost.
Buddy Holly - True Love Ways
1960 (recorded before death in 1958) - Holly wrote âTrue Love Waysâ as a wedding gift for his wife, Maria Elena Holly. The recording session featured a full 18-piece orchestra.
Dean Martin - Return To Me
1958 - The song featured lyrics in both English and Italian. Martinâs crooner style hit #4 on the Billboard Hot 100 and #2 in the UK. It was the title track and central theme for the 2000 romantic comedy Return to Me, starring David Duchovny and Minnie Driver.
Debbie Reynolds - Tammy
1957 - The song was written for the film Tammy and the Bachelor, starring Debbie Reynolds and Walter Brennan. When âTammyâ hit #1 on the Billboard Top 100, Debbie Reynolds became the only female artist to have a #1 record that entire year. It was nominated for an Academy Award for Best Original Song.
Dinah Washington - What a Diffârence a Day Made
1959 - Washington is known as the âQueen of the Bluesâ. However, this jazz classic won the Grammy Award for Best Rhythm & Blues Performance and was inducted into the Grammy Hall of Fame in 1998.
Elvis Presley - I Want You, I Need You, I Love You
1956 - The song was Presleyâs second consecutive #1 hit on the Billboard Top 100 (after âHeartbreak Hotelâ). It hit #1 on the Pop chart, #1 on the Country chart, and #3 on the R&B chart.
Elvis Presley - Love Me Tender
1956 - Elvis was starring in the film The Reno Brothers. However, after the song became an overnight sensation on the radio, the studio officially changed the title to Love Me Tender to capitalize on the songâs popularity. Over one million advanced orders were placed for the single following Elvisâs performance of the song on The Ed Sullivan Show.
Everly Brothers - All I Have To Do Is Dream
1958 - âAll I Have To Do Is Dreamâ achieved a feat that has never been repeated: it hit #1 on the Top 100 (Pop), #1 on the R&B Chart, #1 on the Country & Western Chart, and #1 on the Most Played by Jockeys Chart. Chet Atkins played the tremolo-heavy guitar on the track.
Everly Brothers - (âTil) I Kissed You
1959 - The song peaked at #4 on the Billboard Hot 100, #8 on the Country charts, and #22 on the R&B charts. This track is a masterclass in âclose harmonyâ because the brothers Don and Philâs voices had a nearly identical timbre.
Frank Sinatra - All The Way
1957 - The song was written for the film The Joker Is Wild, in which Sinatra played a comedian. It won the Academy Award for Best Original Song. The track hit #2 on the Billboard Hot 100.
Frank Sinatra - Love Is Here To Stay
1956 - This was the last song George Gershwin ever wrote. Sinatra recorded this for his album âSongs for Swinginâ Lovers!â, which is widely regarded as one of the greatest vocal jazz albums of all time. The song was inducted into the Great American Songbook Hall of Fame, with Sinatraâs version cited as the gold standard for âswingâ interpretations.
Frankie Avalon - Venus
1959 - The song is one of the defining âpretty boyâ pop hits of the late 1950s and of the âPhiladelphia Soundâ. It hit #1 on the Billboard Hot 100 and stayed there for five consecutive weeks. The song was famously used in the 1990 film Edward Scissorhands.
Jackie Wilson - To Be Loved
1958 - Wilsonâs nickname is âMr. Excitementâ. Berry Gordy Jr. wrote the song before founding Motown Records. Wilson was famous for his incredible four-octave range, which you can hear on âTo Be Lovedâ. It hit #7 on the R&B charts and #22 on the Billboard Hot 100.
Jerry Butler & the Impressions - For Your Precious Love
1958 - The melodic guitar on the track is an 18-year-old Curtis Mayfield. It reached #3 on the R&B charts and #11 on the Billboard Hot 100. The track was inducted into the Grammy Hall of Fame in 2002.
Jo Stafford - You Belong To Me
1952 - Jo Stafford made history with this track by becoming the first female artist to have a #1 hit on the UK Singles Chart. It also spent 12 weeks at #1 on the Billboard charts in the U.S.
Johnny Ace - Pledging My Love
1954 - The song sadly became popular after his death, following a backstage accident with a firearm during a concert break. It hit #1 on the R&B charts and stayed there for 10 weeks. It is featured in the 1983 film Christine to underscore the âundying loveâ between a boy and his car.
Johnny Mathis - Chances Are
1957 - âChances Areâ is the song that helped define Johnny Mathis as the ultimate âromantic croonerâ of the post-war era. It was his first #1 single on the Billboard charts and his first Gold record, selling over a million copies.
Johnny Mathis - Misty
1959 - The song features Mathisâ soft, breathy falsetto that became his trademark. It reached #12 on the Billboard Hot 100 and #10 on the R&B charts. The track earned him a Grammy nomination for Best Male Vocal Performance.
Johnny Mathis - The Twelfth Of Never
1957 - âTwelfth of Neverâ is a playful way of saying âneverâ or âeternityâ. Mathis was promising a love that would last beyond the end of time. It climbed to #9 on the Billboard Hot 100. Mathisâs âGreatest Hitsâ album stayed on the Billboard 200 chart for an astounding 490 weeks (nearly 10 years). This record stood for fifteen years until it was finally broken by Pink Floydâs âThe Dark Side of the Moonâ.
Nat King Cole - Love Is Here To Stay
1953 - Nat King Coleâs recording is widely considered the most intimate and âromanticâ interpretation of the Gershwin classic. It was featured prominently in the 1989 classic When Harry Met Sally.
Nat King Cole - When I Fall In Love
1956 - It reached #2 on the UK Singles Chart. In 1996, his daughter Natalie Cole used studio magic to create a âduetâ version with her fatherâs 1956 vocals. This version won two Grammy Awards (including Best Pop Collaboration with Vocals).
Pat Boone - April Love
1957 - The song earned a nomination for the Academy Award for Best Original Song. It hit #1 on the Billboard Hot 100 and stayed there for six consecutive weeks.
Pat Boone - Iâm In Love With You
1956 - The song reached #5 on the Most Played by Jockeys chart and #12 on the Top 100. âIâm In Love With Youâ was heavily marketed as the âperfectâ song for a high school formal or a âsock hopâ slow dance.
Paul Anka - Put Your Head On My Shoulder
1959 - Paul Anka wrote this song when he was only 17 years old. It hit #2 on the Billboard Hot 100. In 2020, a remix of the song powered the âSilhouette Challengeâ on TikTok. The track is often cited as the âultimateâ 1950s ballad.
Phil Phillips - Sea Of Love
1959 - Phil Phillips wrote the song to prove his love to a girlfriend. A true âOne-Hit Wonderâ and hit #1 on the U.S. Billboard R&B chart and #2 on the Billboard Hot 100. It is a definitive example of Swamp Pop, a blend of New Orleans rhythm and blues, country and western, and traditional French Louisiana musical influences.
Ray Charles - Come Rain Or Come Shine
1959 - The song was written for the Broadway musical St. Louis Woman, which opened in 1946. However, Charlesâ recording is widely considered the definitive âsoulâ interpretation. It had a massive cultural resurgence in 1990 when director Martin Scorsese used it in Goodfellas. The track was inducted into the Grammy Hall of Fame in 2005.
Ricky Nelson - Never Be Anyone Else But You
1959 - The gold standard for the âCalifornia Soundâ of the late fifties. It hit #6 on the Billboard Hot 100. Because Ricky was a star on the hit TV show The Adventures of Ozzie and Harriet, the song received a massive promotional boost.
Ritchie Valens - We Belong Together
1958 - The song was released as a single just months after the plane crash. It climbed to #52 on the Billboard Hot 100. The song reached a massive new audience in 1987 with the release of the biopic La Bamba. The cover version by Los Lobos was featured during the filmâs most romantic moments.
Roger Williams - Autumn Leaves
1955 - âAutumn Leavesâ holds a very specific place in chart history. It is the only piano instrumental to ever reach #1 on the Billboard Hot 100. The single sold over one million copies in 1955 and eventually went on to sell over two million units, making it one of the most successful instrumental releases of the entire 20th century.
Sam Cooke - You Send Me
1957 - The song knocked Elvisâs âJailhouse Rockâ out of the #1 spot on the Billboard Hot 100. Before this hit, Sam Cooke was the lead singer of the Soul Stirrers, one of the biggest gospel groups in the world.
Santo & Johnny - Sleep Walk
1959 - âSleep Walkâ is widely considered the most famous instrumental of the rock and roll era. It was built around the triple-neck console steel guitar. It reached the top of the Billboard Hot 100 and hit #4 on the R&B charts.
Sonny James - Young Love
1956 - The song managed to dominate three different Billboard charts simultaneously. It hit #1 on the Top 100 (Pop), #1 on the Country chart, and even reached #11 on the R&B chart. Sonny James went on to have a record-breaking 16 consecutive #1 singles on the Country charts.
The Chantels - Maybe
1957 - âMaybeâ was a massive crossover success, hitting #15 on the Billboard Hot 100 and #2 on the R&B charts. It sold over one million copies, making The Chantels one of the first African American girl groups to achieve major mainstream success.
The Drifters - There Goes My Baby
1959 - The song pioneered modern Soul music. It was a radical departure from everything that came before it by blending R&B, gospel, and classical orchestration into a completely new sound. It was the first R&B record to feature a full string section. Ben E. King was the lead singer. The track hit #2 on the Billboard Hot 100 and #1 on the R&B charts.
The Flamingos - I Only Have Eyes For You
1959 - The song was written by Harry Warren and Al Dubin for the 1934 film Dames. It peaked at #11 (US Pop) and #3 (US R&B). It was a central theme in the 1973 classic American Graffiti. It also appeared in the âPromâ scene of the 1990s cult hit Buffy the Vampire Slayer.
The Fleetwoods - Come Softly To Me
1959 - "Come Softly To Me" was originally recorded in a home kitchen in Olympia, Washington. It hit #1 on the Billboard Hot 100 and stayed there for four weeks - a rare feat for an independent label from the Pacific Northwest. It also peaked at #5 on the R&B charts.
The Four Aces - Love Is A Many-Splendored Thing
1955 - The song won the Academy Award for Best Original Song from the film of the same name. It became the first song from a movie to top the charts since the 1940s. The track hit #1 on the Billboard charts and stayed there for eight consecutive weeks.
The Penguins - Earth Angel (Will You Be Mine)
1954 - âEarth Angelâ was recorded in a garage studio in South Central Los Angeles. The song hit #1 on the Billboard R&B chart and #8 on the Pop chart. It was one of the first âindieâ records from a small Black-owned label (Dootone Records) to sell over one million copies to a diverse, national audience.
The Platters - Smoke Gets In Your Eyes
1958 - The track was first released as a 1930s theater ballad. The Platters version hit #1 on the Billboard Hot 100. It was inducted into the Grammy Hall of Fame in 2015.
The Platters - Twilight Time
1958 - âTwilight Timeâ hit #1 on the Top 100 (Pop), #1 on the R&B chart, and even reached the Top 5 in the UK. It was featured in the series The X-Files and the film Benny & Joon. This one is special to me because it is my parentsâ first dance song.
The Teddy Bears - To Know Him Is To Love Him
1958 - The song topped the Billboard Hot 100, staying there for three weeks. The Beatles performed it during their Decca audition and BBC sessions. Dolly Parton, Linda Ronstadt, and Emmylou Harris (as the âTrioâ) took it to #1 on the Country charts in 1987.
Tommy Edwards - Itâs All In The Game
1958 - This is the only #1 hit on the Billboard Hot 100 in history co-written by a Vice President of the United States (Calvin Coolidge). It reached #1 on the R&B charts as well. Edwards actually recorded this song twice. He first released a âstandardâ orchestral version in 1951, which was a modest hit (reached #18 on the Billboard Records Most Played by Disk Jockeys).
Is there a song that you think should be added? Let me know!
Thanks for reading,
Matthew Campbell
Wedding MusicLetter


